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Price level: Step up Performance guide level: Mid range
- Compensating system For tuning accuracy
- 4 Valves (3+1) For access to more alternative fingerings
- 11” bell For good projection
- Rose brass leadpipe For a full, dark sound
- Bottom sprung valves For a smooth and free action
- Bell ring For strength and resonance
- .661 bore
Accessories: High quality lightweight case with wheels and shoulder strap, JP mouthpiece
Variations: JP274L – lacquer finish
JP274S – silverplate finish
Brand comparison performance: Jupiter JEP570L
Benefits for Customer:
- Accurate tuning
- 4 valves
- High performance:cost ratio
- High level specification
Applications and Characteristics:
This instrument has been successful both in the education system as a student model and also as a step up model. It is also very popular with training bands as it combines price accessibility with good performance levels and durability. It competes extremely well against the more expensive Jupiter JEP570L.
As played by: Andy Woods – session player. It featured in the Sound Track of Wallace and Gromit and the Curse of the Wererabbit.
As part of my job I recently had the pleasure of appraising 3 of the superior John Packer euphoniums on behalf of our students. All were striking examples of the modern style of instrument design as well as displaying a high quality of build. Added to this the fantastic prices being asked and they almost seem too good to be true. So to the testing…….
The first on trial was the JP274, presumably aimed at the progressing young player. It is a fully compensating 4 valve instrument, with a robust feel to not only the euphonium, but its case too which is of solid manufacture with handily placed wheels on the base for ease of transport. It has a very ‘centred’ feel when blowing across the full range and responds with ease in all registers. I have no hesitation in recommending this model to any of my students hoping to take their music making to a higher level.
The JP374 Sterling and the JP374 Sterling (Trigger) are both essentially the same fully compensating 4 valve euphonium. Each has the benefit of a larger 12” bell which seems to aid projection for the more advanced player. They feel exceptionally comfortable to hold and the playing position dictated by the design seems completely natural assuring the performer that they are playing an instrument of pure quality. Articulation, dynamic extremes, intonation and freedom of flexibility are outstanding. Tuning on the trigger model is of course perfect in the hands of a knowledgeable and proficient musician. The case is smaller than that of the JP274 and has a ‘gig bag’ feel to it—ideal for the busy professional. These really are instruments that demand a place high up in the brass retail market and I will be happy to recommend any of them to prospective purchasers of the appropriate standard.
Euphonium specialist-SIPS Education Music & arts Service
(Principal Baritone—Desford Colliery Band)